Hogarty Portfolio 2025

About

I'm so glad that you're here.
Contact Info
My Story
You may already have noticed that I'm not a typical first-year teacher, but I'm sure that I'm right where I belong. I spent my first year of teaching as a long-term sub in Middle School Special Ed (see more by clicking below), an experience that confirmed what I already knew: I love the secondary school environment. I love teenagers and tweens, and I love teaching, and I've been feeling the itch for a change. My move into PK-12 comes after two other careers. Fortunately, both of my previous careers have helped me to make this transition. I have over 10 years under my belt teaching composition, basic writing and literature as an adjunct instructor at Penn State/Altoona, Allegany College of Maryland, and Edinboro (now Pennsylvania Western University). Earlier in my career I ​ lived in New York City, working as a writer and editor in magazine publishing. My return to Bedford County was prompted by having a then young daughter, and not being able to let her play outside alone. In addition, I am an an eighth-generation resident of Bedford County (and ninth-generation resident of Pennsylvania), so living in the Appalachians is in my blood!​

My Teaching Philosophy
As an English teacher, my foremost goal is to share my love of great writing and literature with my students. If I can do that, my students will want to read their assignments. I want to familiarize them with great writers—Shakespeare, Dickens, Twain, and S. E. Hinton—whose wisdom and artistry can both guide them through trials and help them to celebrate life. For writing can, and should, enrich, ennoble and enlarge us. The great American short story writer John Cheever said that the written word “binds us together.” Perhaps, in this bewildering world, good prose can even make us whole. If my students can learn to love great writing, they will value the need to become good writers themselves. I firmly believe that learning to write well will help students to discover not only who they are, but who they want to become, as the act of writing both enables and requires self-examination. I want the work that my students do with me to help them learn to discern their own values, goals, quirks and inner contradictions. I also hope that they will learn to interrogate their presumptions, and regard current events and issues through a newly critical lens. I do realize that my ambition is lofty, but it reflects not so much inflated self-assessment as an absolute faith in the writing process. My own enthusiasm aside, I also believe in meeting students where they are—in not pretending that writing is, for everyone, enjoyable. I have spent over a decade teaching composition (and occasionally literature) in the college classroom. On the first day of class, I ask my students to write me a letter, telling me how they feel about composition. I ask them to be honest with me, and explain that they will not be penalized for their candor. Indeed, this candor is a necessary first step. For my part, I must meet this trust in me—because my students are usually generous with their trust—with my own trust in them. When I have been fortunate enough to teach literature, I have used creative writing strategies to help my students to engage in the texts. My literature students have written letters to authors (many no longer living), have composed prequels and sequels to stories, or used the writer’s style or subject matter for inspiration for their own work. Even the most resistant students often respond to these methods and find joy in creating their own work. Since I want to nurture that joy, and demystify the process of writing, I grade students foremost on content. For me, internal consistency and reasoning within the text is paramount. However, my commitment to clarity and demystification does not extend to a disregard for the conventions of grammar and style. I believe, strongly, that we do students a disservice when we ignore these conventions. When we don’t help students to achieve basic skills, we have failed them. ​


Lesson Plans
As a student teacher, I worked with students in grades 10-12 at Northern Bedford High School. You can see some of the lesson plans I used by clicking on the High School button below. I have not yet taught mainstream English at the Middle School level, but I wanted to demonstrate that my lesson plans for younger students are also strong. Thanks. in advance, for taking a look!

Professional Documents

Letter of Recommendation from Brooke Kurtz, Principal of Tussey Mountain Middle School
Brooke joined the Tussey Mountain Team in October of 2023. She observed me working with parents in IEP meetings and interacting with students on a daily basis.
Midterm Performance Evaluation
On my PDE430 evaluation, I received two "superior" ratings, in the Classroom Environment and Professionalism categories.
Letter of recommendation from Dr. June Bracken
I worked with Dr. Bracken at Allegany College of Maryland, where she is the director of Academic Access and Disability Resources. I frequently consulted her about how to help students in my classroom.

Teaching Artifacts
A characterization exercise
Students analyzed a character from Wuthering Heights by writing down a description of the character, a quotation from the character, and one of the character's actions. They then synthesized these observations to come to a conclusion.


Textbook and sources for A Midsummer Night's Dream
Seniors in Mr. Yeatt's College Literature class used the Norton Introduction to Literature, Shorter 13th Edition, for much of their coursework, including A Midsummer Night's Dream. This tome, albeit the "shorter edition," comes in at over 2000 pages. For this photo, I've placed it against the white board in our classroom, along with two of the books that I am using to help me teach the play. The quote written on the whiteboard is from Puck in Act II Scene 1.
Teaching Portfolio

